In "Flea Bane" Meyer creates a dreamlike encounter between figure and nature, where delicate white wildflowers emerge from darkness. A partially visible hand and face appear among the blooms, suggesting both connection and concealment—a metaphor for how we simultaneously reveal and obscure ourselves in familiar spaces. The stark contrast between the black background and luminous flowers creates a haunting nocturnal atmosphere that exists between reality and reverie. Through textured brushwork and fragmentary human forms, Meyer explores how memory transforms ordinary moments into emotional landscapes where presence and absence coexist in fragile equilibrium.