"In The TV N2", Meyer explores the enigmatic reflections we encounter in dormant screens. Rendered in muted grays and deep blacks, the spectral figures emerge from an inactive television, capturing that liminal moment when technology becomes a mirror rather than a window. The brushwork deliberately blurs distinction between physical space and reflection, creating ambiguity about what is actually present versus what is merely perceived. Through masterful use of shadow and form, Meyer invites us to consider how these everyday reflective surfaces create parallel realities—ghostly versions of ourselves existing in spaces that are simultaneously familiar and foreign.